To summarize my last post: A writer can infuse a scene or moment with dimensional richness by planning out and artfully revealing story threads. Largely, this richness comes from giving the viewer (or reader) a completely different perspective on the plot and the protagonist.
Maybe you’ve also seen this?
I remember watching a chess player in a very intense match who, after studying the board for several minutes to strategize his next move, suddenly got up and walked over to his opponent’s side of the board to study it from that viewpoint before eventually returning to his side and making his move.
Obviously, he was seeking to optimize his strategy by…
Getting a fresh perspective
Nearly always, the storyline is centered on the hero, right?
Right. But what or who influences the hero as the story unfolds? And what or who does the hero effect?
While screenwriters are inclined to write from the perspective of the hero/protagonist as they create each moment, the story can have greater realism and richness if they also take the time to look at what else is (or could be) happening in the unfolding moment, and consider what fresh insights the viewer may enjoy from the vantage points of your protagonist’s influencers or influenced.
While planning out a story, I think about events or conditions or people — the influencing and influenced — and consider where a moment in the story might be much more dramatic or meaningful if I pump it up by revealing the moment from those alternative perspectives, not just the protagonist’s.
But as I suggested in The Five Steps of Story Deconstruction, such elements or characters have limited dramatic value if presented as a singular event or “beat.” They gain their greatest impact when they are strung together to form a series of building story revelations. That’s a story thread.
More on the power of the story thread tomorrow…