Pardon my recent silence—my work on the screenplay has been dogged by a number of competing priorities from some of my WriteWorks Agency clients with time sensitive marketing copy and Web site copy needs.
But the good news—the step outline for the screenplay is essentially done.
It’s coming in at 27 pages—a substantial foundation for the screenplay.
One last thing though…
Before passing it on to the producer, I’m going to spend a day or two, going through it with a more objective eye, cleaning it up, spell checking, and filling any overlooked holes or gaps. Otherwise, it is ready for delivery.
Took you long enough
Yes, yes, it was a long time in coming: longer than the step outline for most other stories I’ve worked on.
In fact, many stories, simpler ones, can be written without creating a step outline.
Not this one though. Too complex. This has been structurally one of the most challenging stories I have ever worked on.
The biggest challenge so far?
So far, it has been the continual effort required to keep this inherently complex story from being unnecessarily complex—continually trimming away anything that isn’t essential so as to keep it from becoming an epic.
And how much smarter it is to trim the fat before writing out the full screenplay! I’ve done that before, and it’s just way too painful. By making the story structurally sound from beginning to end and getting agreement from the producer before I invest so much emotion in time into writing out the complete 110 pages or so of a screenplay—while it is still in outline form—will save me from many gray hairs.
Sure, rewriting and rewriting and rewriting is a seemingly inevitable part of any screenplay development. But starting from a structurally sound foundation will at least reduce the number or severity of rewrites.