Limited Respite for Our Hero

The audience will need a break from the ever-mounting tension of the sequences that lead up to antagonist Cain’s apparent destruction of Joe Cameron. They will get that break in the house-arrest confinement moments that follow the disastrous botched drug bust, during which his mother and others close console and support as Joe wallows in pre-trial self-condemnation. However, such a reprieve must not impede the story’s forward momentum.

The devastating botched bust scene that marked the Midpoint Moment of the second act naturally changes the course of the story. Instead of being on the attack, as Joe has been throughout the second act up to this point, the Midpoint event forces Joe into a defensive position for the rest of Act 2.  And that, I figure, is my opportunity to reignite the dramatic tension, even during this necessary lull of introspection (necessary to Joe’s character arc as well as to the viewer’s attention span). How? By seeding the introspective passage with…

Plot-thickening cutaways

Joe’s brother Cain is an underlying source of antagonism throughout the first act, which become increasingly overt in the second act. Now, it’s time to bring Cain’s battle against Joe fully to the surface. By doing so during the relatively pacific passage of Joe’s confinement and consolation from friends and family, rather than waiting until the softer moment is over, I can reignite the forward propulsion of the story.

To do so subtly, I’m interjecting brief cutaway snippets into this introspective passage, revealing that Cain is busy hammering nails into the coffin of Joe’s fate by tampering with evidence, coercing witnesses, and influencing the prosecutor as the impending case against Joe takes shape.

Building the tension

My goal though is to create a rising sense of anxiety throughout this sequence, such that the viewer will initially only sense the developing threat on some subconscious level while focusing on what Joe is going through. Then, by increasing the pace and intensity of these intercutting scenes, the viewer will be slowly drawn deeper in to the rising tension of the inquisition against Joe. If I craft this right, the viewers should feel increasingly disturbed in this sequence—a feeling brought on by the unfolding plot—even as they receive an emotionally satisfying sense of resolution from that most important thing—the restoration of Joe’s goodness and morality.

By weaving this into the introspective scenes of Joe’s post-tragedy remorse, I hope to keep viewers concerned about Joe’s fate at the same time that they find peace in the restoration of Joe’s moral compass. While the latter is not as inherently visual as the playing out of Cain’s inquisition against Joe, Joe’s ethical restoration is more central to the overriding moral premise of the story and, therefore, critical to its thematic resolution.

This restoration is also essential to the culmination of the story, since Joe’s abandonment of principle (to bring about the admirable results of overcoming the crime bosses’ stranglehold over the country) is what brought about our growing discomfort throughout the first half of the second act because we see Joe becoming the very thing he’s trying to destroy, and since his restored principle is the very thing that empowers him to battle his brother’s Act 3 plot to prevent Joe’s success in the election.

Oh, and one more thing…

Happy New Year.  🙂

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