A few of you who happen to also be writers, or are so inclined, have expressed interest in the story structuring board and the process I’m using with it. If it motivates you to try using index cards like this to break down the story analytically to aid in structuring a story, that’s cool, but let me first say something important about the way I’m using it.
My tabula ain’t rasa
I first use the story structuring board as a deconstruction tool . . . which of course implies (correctly) that I have already constructed something. In other words, the board is not Step One for me in creating a story.
In this project, for instance, I’ve already created an eight-page summary (not quite a step sheet but more than a regular one-page synopsis) that tells the story from beginning to end. In that sense, the story is complete, even if only at a very high level; I know how I want it to start, how I want it to end, and who the primary characters are. I have a general idea of how the story needs to play out to reach its conclusion.
So, where does the board come in?
Once I complete a summarized version of a story, and type it out into something I think I can sell (or that has persuaded someone to hire me to develop the full story from the concept), it’s time to expand that into a full story. This is when writing gets trickier, and when I gain the most value in using the index cards to analytically develop, deconstruct, and order the story’s dramaturgical elements.
But, first, I suggest that you solidify your story summary before trying this deconstruction process. Without that as your first step, your index cards could turn into a granulation nightmare — a thousand points of light when all you needed to tell your story was a few dozen.